This idea is not mine. I want to make that clear. I’m just re-posting this idea that David Hobby of Strobist.com came up with and posted to his blog.
Say you walk in to a room that you’re going to photograph for editorial, architecture, food. Whatever. The light sucks. Plain and simple, you need to add flash but you need the ambient for fill or maybe you can’t turn it off. Matching the colour of your flash to the ambient can be a pain. Especially, if you have no idea what the colour is!


I don’t know what my fascination with black and white photography is lately. I think it’s the contrast. Not the tonal contrast but the fact that black and white images are an interpretation of reality, not an image of reality. Merely representing shape, form and tone. It’s raw. I guess. That’s what I’m trying to say. I dig it. I was reading a blog about photography techniques. I came to the realization that “technique” is only one way of doing things. It suggests that you should use the lowest possible ISO when taking black and white images. The reason is because noise is evil and bad. Seriously. I like noisy pictures as much as I like noiseless pictures. It depends on my mood.
I had the opportunity at the beginning of September to take my film camera on a boat trip up to Maple Bay on the west coast of British Columbia. There were few moments where I wasn’t wearing my full storm gear. It was wet. The first night we stopped at Portland Island, located just off the shores of Sidney. When we woke up, we had one of those few moments where it was sunny out. Great! Time to go explore. You’ve probably seen a few of the pictures from the 
